Shot
|
Angle
|
Movement
|
Explanation
|
Long shot
|
Low to Eye Level
|
Tilt
|
This opening shot shows the viewer
where the action is taking place. It is especially important in this scene
because the action of the scene takes place indoors, so an outdoor shot of
the location allows the viewer to make sense of this. The shot is outside of
the shopping arcade and shows pedestrians and cars passing by the entrance,
out of focus.
|
Long shot
|
Eye level
|
Pulling the Focus
|
The camera stays in the same position
as the last shot as this one follows on from it. Once the camera has tilted
down to eye level, the focus is pulled so that the cars and pedestrians come
into focus.
|
Long shot
|
Low Angle
|
Still
|
The camera is far away from the subjects
and looks up at them walking towards it.
|
Long/Medium
|
Low
|
Still
|
The subjects walk past the camera as
the camera is viewing from the side.
|
Close Up
|
Eye Level
|
Tracking
|
The camera is handheld as it follows
the subjects from directly behind, hinting at the presence of a stalker.
|
Long shot
|
Low angle
|
Still
|
Now faces the subjects from the front,
to the left (the opposite side from before), as they walk towards the cafe
door. Looks at reflection of them before they walk into shot.
|
Close Up
|
Eye Level (subject = door handle)
|
Still
|
The subjects walk past the camera and
open the door. The door is pulled and swings towards the camera before the
door swings back to a close.
|
Long Shot
|
Low angle
|
Still
|
The camera views the subjects ordering
at the cafe counter from a side on position, looking up at the boys.
|
Medium Shot
|
Eye Level
|
Still
|
The subjects walk over to a table/booth
where that the camera is already facing before they arrive. They walk into
shot and sit down with their drinks, reading and discussing the content of a
film magazine (indicating their love for film and filmmaking).
|
Close Up
|
Eye Level
|
Still
|
Close up of the subjects’ faces. This shot
happens for both.
|
Long shot
|
Low angle
|
Still
|
A shot of the two subjects by a pond
with a camera, filming the pond.
|
Long shot
|
Eye level
|
Handheld
|
The view of what they see through their
camera.
|
Medium shot
|
Low angle
|
Still
|
GoPro camera place on car dashboard looking
up at subject in a car.
|
Medium shot
|
Eye level
|
Handheld
|
A shot from behind of the two subjects
driving in a car.
|
Medium shot
|
High angle
|
Still
|
Looking down at the subject in the
passenger seat from the perspective of the driver.
|
Medium shot
|
Low angle
|
Still
|
Looking up at the driver from the
perspective of the person sat in the passenger seat.
|
Establishing shot
|
High angle
|
Still
|
Looking at the asylum from a distance
above.
|
Long shot
|
Eye level
|
Still
|
The subjects walk down the hill towards
the camera.
|
Long shot
|
Eye level
|
Still
|
The subjects walk towards the entrance
to the asylum.
|
Medium shot
|
Eye level
|
Still
|
The camera is set behind the subjects
as they break in to the asylum.
|
Long shot
|
Eye level
|
Still
|
A view of the break in from the other
side of the door.
|
Medium shot
|
Eye level
|
Still
|
The camera is back outside and shows
Franklin talking to a new character outside, whilst Sam has gone inside to
explore.
|
Close up
|
Low angle
|
Still
|
Seeing each of the subjects outside in
more detail with a close up.
|
Close Up
|
High angle
|
Still
|
Sees Franklin taking a bottle of pills
out of his pocket and tipping pills onto his hand.
|
Medium shot
|
Eye level
|
Still
|
Shows that Franklin is now alone
outside.
|
Medium shot
|
Eye level
|
Still
|
Camera now inside looking at Sam, who
comes out of a cell.
|
Long shot
|
Eye level
|
Still
|
Shows Sam in foreground and Franklin in
background, as Sam calls Franklin in, Franklin walks forwards into the
asylum.
|
Varying
|
Varying
|
Handheld
|
A timelapsed long take of wandering
around the asylum. Not essential to the narrative but visually interesting.
|
Medium shot
|
Eye level
|
Still
|
The two boys come out of a cell and
head back towards the door. The camera changes position in the next shot to
view this. Still still and eye level to see them at the door.
|
Medium shot
|
Eye level
|
Still
|
The boys set up the tripod to start
making their film.
|
Long shot
|
Eye level
|
Still
|
The camera is placed in the corner of
the room to see Franklin operating their camera in the foreground and Sam
going to investigate in the back ground. Then, people start walking towards
Franklin.
|
Medium shot
|
Eye level
|
Still
|
The camera sees each of the figures
individually as they stand and stare at Franklin from Franklin’s perspective.
|
Long shot
|
Eye level
|
Still
|
From back in the corner we can see that
there is actually no one there and the Franklin is seeing things.
|
Long shot
|
Eye level
|
Still
|
Facing the door we see the anonymous
figure from before walk into the room, shut the door and push Franklin.
|
Close Up
|
POV
|
Following motion
|
The camera is of Franklin’s POV and
follows his movement as he is punched.
|
Close Up
|
POV
|
Still
|
Shows Anonymous’ POV of Franklin pushing
him to the wall.
|
Close Up
|
POV
|
Following motion
|
Shows Franklin being pushed down onto
the ground by Anon.
|
Close Up
|
Low angle
|
Still
|
Shows them wrestling on the ground and
Franklin getting on top of Anon.
|
Medium to Close Up
|
POV Worm’s Eye
|
Following motion
|
Follows Anon’s perspective of being hit
in the face with a hammer.
|
Long shot
|
Eye level
|
Still
|
Shows Franklin standing up, dropping
the hammer and running out of the building.
|
Establishing shot
|
Low angle
|
Pan
|
Shows change of location to the police
station.
|
Medium Close
|
High angle
|
Still
|
Police officer looking down at
Franklin.
|
Medium Close
|
Low angle
|
Still
|
Franklin looking up at Police officer.
|
Extreme Close
|
Eye level
|
Handheld sidewards movement
|
Staggered, wobbly movement around
Franklin’s face shows his instability.
|
Medium to Close
|
High angle
|
Zoom in
|
Zoom into the computer screen showing
Franklin who he really killed.
|
Friday, 14 November 2014
Shot List
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